VERTOEF / LINGER

Date
Artists
Andries Gouws
For more Info, contact us on: gallery@kznsagallery.co.za
VERTOEF / LINGER is Gouws’ fifth one man show at the KZNSA. Before Durban it went to the Pretoria Art Museum, and after Durban it will go to the Irma Stern Museum in Cape Town. He previously had one man shows in Chicago, Pretoria, Bloemfontein, Johannesburg, Kimberley, Cape Town, Grahamstown, Oudtshoorn, Potchefstroom and Stellenbosch.
Why do I paint the way I do? Why do I paint all these rooms without people, these mirrors, these feet? I don’t know. What do my paintings mean? I don’t know.
As an artist and as a philosopher I have learnt that there is no verbal equivalent for what happens visually in a painting. Moreover, the artist’s words carry no special authority. I tread gingerly when making an artist’s statement. Whatever I say is speculative and tentative. The silence or muteness I strive for in my paintings would be lost if they suggested a meaning which can be captured directly in words.
Meditation – lingering in an awareness of the here and now – plays a large role in my life. To me the mood of my paintings suggests something between the meditative and a sense of failure, perhaps abjection. Had they been only meditative I don’t think viewers would have found them awkward, uncanny or even desolate, in the way they do.
Art works don’t simply arise from the artist’s personal experience, but always also from a dialogue with other artists. My paintings are a modest salute to painters like Vermeer, Piero, Morandi, Arikha, and how they capture light, space and stillness. Although many of the artists I admire, like Goya, Guston and Kentridge, engage with the problems and terrors of the social and political world, I can’t emulate them – the place my work arises from is too different.
Read the opening night statement by Janet Solomon here.
Chest of drawers and chair with light from window
225 x 335 mm
2011-2012
Feet study (Feet XII)
335 x 438 mm
2012
Ingrid’s Durban studio: Leonardo and rhino skull
410 x 570 mm
2012-2018
Dolls and Velasquez horizontals
220 x 340 mm
2013-2014
Dolls and Velasquez diagonals
280 x 340mm
2013-2014
Two pumpkins under table
320 x 360mm
2014
Velasquez book and three objects on table
350 x 450mm
2014
Stellenbosch Mountain (late afternoon)
407 x 564mm
2014
Stellenbosch Mountain (hazy morning)
500 x 660mm
2014
Suitcase and Ensor book
320 x 400mm
2015
Linen napkin, lemon and brass tray on table
260 x 390mm
2015
Large Karoo landscape
400 x 500mm
2016
Grahamstown residence room, open curtains
398 x 267mm
2016
Durban bathroom with reflection in mirror
300 x 450mm
2016
Bathroom window reflected in mirror, Lambert’s Bay
390 x 260 mm
2016
Chest of drawers with mirror reflecting fan, Shaka’s Rock
390 x 260mm
2016
Laundry (diagonal), Cité des arts, Paris
320 x 420mm
2016
Sun on studio floor, Cité des arts, Paris
200 x 300mm
2016
Landing with sunlight on floor (1st version), Cité des arts, Paris
240 x 360mm
2016
Wall and easel, Cité des arts, Paris
280 x 430mm
2016
Father and son sleeping
280 x 420mm
2016-2018
Rhino skull & Leonardo, 2nd version
280 x 420mm
2016-2017
Towel
250 x 200mm
2017
Laundry (frontal), Cité des arts, Paris
340 x 255mm
2017
Metal cabinet, laundry, Cité des arts, Paris
270 x 230mm
2017
Landing with sunlight on floor (2nd version), Cité des arts, Paris
300 X 420mm
2017
Boxes on floor, Cité des arts, Paris
240 x 300mm
2017
Sky, mountain, clouds
210 x 367mm
2017
Three quinces and one pomegranate
255 x 260mm
2017
Sky, mountain, cloudlets
210 x 210mm
2017
Attempt at an unheroic self-portrait
391 x 230mm
2017
Max’s bathroom door reflected in mirror
285 x 320mm
2017
Max’s bathroom cabinet
360 x 250mm
2017
Kobus’s feet I
260 x 390mm
2017